Writing

The Future of the Publishing Industry

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November 20  |  Publishing  |   Alison Law
Printing press - Wikipedia, the free encyclopedia

Image courtesy of Wikipedia, the free encyclopedia

As I contemplate a return to college for an advanced degree in writing or communication, I cannot help but gawk, like a rubbernecker passing a car accident on the highway, at the tumultuous state of the publishing industry.

Once upon a time, a writer’s only responsibility was to write worthy books and make nice on the book tours. The literary agents and publishers were the gatekeepers and the business bees. The Internet has quickly dissolved the barriers between writers and readers, dealmakers and consumers. We all have the potential to be publishers and tastemakers.

Of course, all the above are generalizations.

These recent articles and blog posts on “The Future of Publishing” were most informative and thought-provocative:

The Book Publishing Industry of the Future: It’s All About Content by Felicia Pride for PBS

The Future Of Books And Publishing by Mitch Joel for the Six Pixels of Separation blog

On the Future of Books: A Discussion with Seth Godin by Leo Babauta for the zenhabits blog

Enhanced E-books and the Future of Publishing by Peter Osnos for The Atlantic

The 6 Shifts of a Kindle Dominated Marketplace by Julien Smith for the In Over Your Head blog

Do You Plan to Bypass the Traditional Publishing Industry Entirely? by Nathan Bransford

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Mastering the Fine Art of Choosing: I Want to Be a Creative Writing Student

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July 27  |  Writing  |   Alison Law

If money were no object, I would give up work and become a full-time student. I would avoid classes that gave off even the faintest whiff of being useful to my career or earning power, instead choosing topics to nourish both my mind and soul. Study abroad and language immersion trips would be mandatory components of this fantasy curriculum.

Hola, me llamo Chewie. Yo quiero siestas.

Hola, me llamo Chewie. Yo quiero siestas.

Before I left my last in-house marketing job, I made a deal with my husband. I told him I would home-school our two cats if he let me be a stay-at-home kitty mom. I’ve been working from home for more than three years now, and the cats show little sign of improvement. I keep trying to convince Zach that Chewie’s meows are the beginnings of “Me llamo.” Bilingual gatos, anyone?

The reality is that money is essential to my feeding those two home school flunkies and keeping a roof over the worldwide headquarters of Alison Law Communications (ALC). I’ve been very fortunate to not only survive, but thrive, as an independent writer, marketing and PR consultant in one of the worst economies in U.S. history. But I still want to go back to school, and all joking aside, I love the idea of teaching (human beings).

I’ve been researching my options and vetting different ideas among friends and people I trust over the last few months, and I’ve come to the decision that I will apply for graduate school in the winter. I am interested in pursuing a Master of Fine Arts in creative writing. The programs that I am considering are two-year low-residency programs that would allow me to remain in Atlanta with my family and keep working with my wonderful friends and clients of ALC.

Have you ever experienced the phenomenon where you make a decision, and suddenly, all of these people and opportunities show up to help you? Like they’ve been waiting on this path for you long before you knew you were going to hang a left in the road? One prime example of this phenomenon is Annette Gendler. I’ve never met Annette in person, but we connected online in May when we both participated in the 2011 WordCount Blogathon.

Annette is a memoirist and writing instructor in Chicago, who blogs about writing here. I made the comment once that Annette’s blog is like an online, informal MFA program, and that got us emailing about her experience in the MFA program at Queens University in Charlotte, NC. She generously offered to answer a few of my questions and turn it into a blog post. Let’s just say I sent Annette enough questions for a series of posts, and she didn’t back down. In fact, she upped the ante by recruiting some of her friends and colleagues to blog about graduate learning in creative writing every Monday for a month. If you’re curious about the MFA, or you’re looking for a good writing blog, please visit AnnetteGendler.com.

I look forward to sharing more about my creative writing and educational pursuits here on the Lawthenticity Blog.

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Today’s Inspiration: Nine Contemporary Southern Writers You Need to Know

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May 28  |  Writing  |   Alison Law

FlixelPix.com light bulbInstead of chasing frothy waves on a sandy beach or hiking a meandering trail to reach a mountain vista, I started this Memorial Day weekend with a quick walk around the neighborhood. I’m pretty sure we’re one of the only couples at home this weekend. Heads up to all you burglars who might be casing the place: we’re home, but the young lawyer next door left his porch light on in the middle of the day and has good taste.

Z and I have decided to devote part of this long weekend to our individual writing projects. He is stuck in editing purgatory on his fantasy football manuscript. I am busy procrastinating and contemplating writing one of the many stories that have been occupying space in my crowded brain for days, months or years (depending on which story we’re talking about).

On a day like today, when the agenda is fluid and possibilities are not only endless, they’re paralyzing, I need some inspiration from the ladies of “Atlanta’s literary sorority.” Knowing that I share the city with some of these incredible women writers, whose books have made me laugh, cry and lose a lot of hours that I should have spent sleeping, is inspiring. With apologies to Ms. Joseph and Ms. Gable, I have read works by each of the beautiful belles in this Vanity Fair photo spread. You should check them out, too.

In case you missed the link above, here it is again: Deutschman, Alan. “Belles, Books and Candor.” Vanity Fair February 2011.

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My 5 Favorite Books on Writing

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May 4  |  Writing  |   Alison Law

When I was considering whether or not to participate in the WordCount Blogathon, I took a peek at the calendar of events, and saw that the first theme day was blogging about your five favorite books on writing. My mind quickly zoomed past any fears I had about blogging every day for 31 days and zeroed in on my bookshelf. I thought to myself “Oh yeah, I got this.”

I love books, and I’m passionate about writing. So it’s no surprise that I’ve invested a lot of time and money in books on writing. Here are my five favorites plucked straight from my home office bookcase.*

On Writing by Stephen King

On Writing by Stephen King

When I told my husband – who is also a writer – about this theme day, he said “All I can think of is the Stephen King book.” The Stephen King book that he mentioned is called On Writing. Some literary types may not have a high opinion of Stephen King. They call him a book machine and would never deign to read his thoughts on the subject of writing. But King is a master of plot, a curator of pop culture and a bare bones wordsmith. Now, the first part of On Writing reads like a memoir. King talks about his childhood, growing up with his single mother and brother in Maine. He started writing unauthorized student newspapers, wrote short stories for science fiction and girlie magazines and became a school teacher to pay the bills.

One of my favorite anecdotes from this part of the book is when King talks about writing his breakout novel, Carrie. King reached a point in writing Carrie where he wasn’t emotionally attached to the story, didn’t really like the main character and so he decided to trash what he’d written. He writes that the next night he came home to find his wife, Tabby, with the pages. “She’d spied them while emptying my wastebasket, had shaken the cigarette ashes off the crumpled balls of paper, smoothed them out, and sat down to read them. She wanted me to go on with it, she said. She wanted to know the rest of the story. I told her that I didn’t know jack-shit about high school girls. She said she’d help me with that part. She had her chin tilted down and was smiling in that severely cute way of hers. ‘You’ve got something here,’ she said. ‘I really think you do.’” How different things would have been for Stephen King if his wife hadn’t seen something in his garbage. King says that “Writing is a lonely job. Having someone who believes in you makes a lot of difference.”

The second part of On Writing is what King calls the “Toolbox.” This is where he breaks it all down for you. His rituals – he writes every single day, even on holidays, with a goal of completing ten pages. King believes that fear is at the core of all bad writing and that the road to hell is paved with adverbs. The Toolbox also includes copies of his handwritten edits and a list of books that the author has enjoyed.

The Opposite of Fate by Amy Tan

The Opposite of Fate by Amy Tan

Stephen King was in a rock band called the Rock Bottom Remainders, which included many notable writers including Dave Berry, Barbara Kingsolver and the writer of my next favorite writing book, Amy Tan. Amy Tan is the author of one of my favorite novels, The Joy Luck Club, so I couldn’t wait to read her memoir, The Opposite of Fate. The Opposite of Fate is a series of essays that reveals Tan’s thoughts about her writing and shares more stories about her life and her relationships. Tan’s mother and Asian heritage are often sources of inspiration for her books, but she makes clear in The Opposite of Fate that she writes not for notoriety or to represent her gender or ethnicity, but to satisfy her own curiosity about the stories she is crafting. I think that’s an important message to receive: you should always write for yourself. Note that this is the opposite of advice I would give you if you were asking me about marketing writing, which is always about your audience, not you.

Bird By Bird by Anne Lamott

Bird By Bird by Anne Lamott

Thank goodness for Anne Lamott. In her book Bird by Bird: Some Instructions on Writing and Life, she gives every writer the permission – no, the mandate – to write a shitty first draft. In fact, that’s the title of one of the chapters, “Shitty First Drafts.” Lamott busts through the myth that all successful and beloved writers get up each morning “feeling like a million dollars, feeling great about who they are and how much talent they have and what a great story they have to tell; that they take in a few deep breaths, push back their sleeves, roll their necks a few times to get all the cricks out, and dive in, typing fully formed passages as fast as a court reporter. But this is just the fantasy of the uninitiated. I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much.” As you can tell from that excerpt, Bird by Bird is filled with Lamott’s great sense of humor. Her voice is very conversational. The chapters are concise and based on questions that she has received from her writing students and aspiring authors. The title of the book comes from a story that Lamott tells about her older brother. When her brother was ten, he waited until the last minute to write a report on birds that he’d had three months to finish. He sat at the table in tears, completely overwhelmed by the task at hand, and Lamott’s father sat down beside him and said “Bird by bird, buddy. Just take it bird by bird.”

The Artist's Way by Julia Cameron

The Artist's Way by Julia Cameron

The thing that all of my favorite writing books have in common is that they all include personal stories, not just writing how-tos and rules. Julia Cameron was once married to Martin Scorsese and was a successful writer-director who had a big-time problem with alcohol. Even though her life was in tatters, she was afraid to give up drinking because she saw alcohol as the only way to silence the negative voices and real-life issues that blocked her creativity. How she got sober and learned to uncork her creativity without the bottle became the source of her book, The Artist’s Way. It outlines a 12-week process for all artists – not just writers – to really get in touch with their creativity. Cameron first taught The Artist’s Way workshops in New York City, and then took all of the materials that she developed and began a successful series of Artist’s Way books. At the core of Cameron’s program are The Morning Pages – where artists are instructed to hand-write, stream of consciousness style, for three pages each morning – and The Artist’s Date – where students must make a date each week to visit a museum, see a concert or take in some expression of creativity.

Writing Down the Bones by Natalie Goldberg

Writing Down the Bones by Natalie Goldberg

Cameron writes that “Art is a spiritual transaction.” Artists are often just channels for the divine whose job is to be open to receive and reflect the message in their work. Natalie Goldberg also takes a spiritual approach to writing in her book, Writing Down the Bones. I have a 10th anniversary copy of the book, which was originally published in 1986, at a time when there wasn’t a lot of emphasis on creativity. Goldberg has taught thousands of students how to write and says her methods are based on the two-thousand year old practice of studying the mind. Writing Down the Bones is also very succinct, and includes a lot of short lessons. In one chapter entitled “Writing Is Not a McDonald’s Hamburger,” Goldberg writes “Allow yourself to be awkward. You are stripping yourself. You are exposing your life, not how your ego would like to see you represented, but how you are as a human being. And it is because of this that I think writing is religious. It splits you open and softens your heart toward the homely world.”

If the religious or spiritual aspects of writing aren’t really your thing, then definitely stick with the Stephen King and Anne Lamott books. I could go on and on; my bookcase runneth over. But it’s your turn now – what are your favorite books on the craft of writing?

*All links to recommended books are Amazon affiliate links.

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Your Writing Will Save You

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June 14  |  Writing  |   Alison Law
Knight on horse

Image courtesy of: G Brummett on Flickr

A friend said to me once “Your writing will save you.” Taken out of context, it sounds a bit melodramatic.  I mean, do I really need “saving?”  Yet, when I consider this question, I respond with another one “Don’t we all need saving from time to time?”

I returned to these thoughts after reading about a group writing project at Joanna Paterson‘s Confident Writing blog. The question posed to the group is “Can writing keep us well?”

What my friend was saying was that I need my writing to keep me sane. To preserve my mental well-being. I, like most people, am my harshest critic. I also work from home, which means that I spend a lot of quality time with the toughest boss on the planet – me! It’s hard to feel good about yourself or function when you’ve got a negative monologue running in your head all day long, telling you that you can’t do anything right. That’s when I need my writing to swoop in and give me a dose of healthy perspective, to challenge the negative voice and put her in her place.

If you are forced to live your life as a writer, you become an observer and recorder. You are forced to acknowledge the aspects of your life that aren’t functioning properly or that are contradictory to the life of your dreams. You also bear witness to all of your life’s blessings and are able to put the shortcomings and inconveniences into better context.

I invite you to step outside yourself for 15 minutes and write whatever comes to you. If you’re procrastinating, write about what’s keeping you from getting things done (hey, what’s another 15 minutes?). If you’re frustrated, mad, sad or in any other emotional geography that’s keeping you stuck, then find a respite in your schedule for writing. It won’t solve the problem at hand, but it will keep you from spiraling into hopelessness and non-productivity.

My friend, Caroline Correll Gebhardt, leads a series of movement workshops in Atlanta. They combine gentle movement – often yoga breathing and poses – with writing. The focus is “connecting the body, spirit, breath and community.” As someone who has benefited from Caroline’s training, I can attest to how amazingly clear your mind and body feel after one of these sessions.

As for my writing: I resolve to observe and record. Write more often. Be more forthcoming and vulnerable with others. Attempt to be less afraid. Close the gap between what I observe and what I want. That seems pretty healthy to me!

What do you think? Can you think of a time when your writing has “saved” you or contributed to your well-being?

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